President University Repository

PHENOMENOLOGICAL THEORY IN DOCUMENTARY FILM AGOES NOOR

Show simple item record

dc.contributor.author Angela, Gladys
dc.date.accessioned 2025-06-19T02:07:02Z
dc.date.available 2025-06-19T02:07:02Z
dc.date.issued 2024
dc.identifier.uri http://repository.president.ac.id/xmlui/handle/123456789/13004
dc.description.abstract Phenomenology is a theory where the author must get rid of the knowledge, understanding, beliefs, attitudes, and presumptions in writing phenomena or events experienced by the subject of writing. This theory aims to understand and interpret how the resource person views the phenomena they experienced in detail, without being influenced by the author's bias. This theory is used in the documentary film Agoes Noor for searching and selecting the appropriate resource person. By using this theory, a deep information about the resource person's life story can be easily extracted, which is then analyzed and interpreted to be processed into a film scenario that can authentically convey the story of Agus Nur, the street painter. en_US
dc.language.iso en_US en_US
dc.publisher President University en_US
dc.relation.ispartofseries Communication;009202000071
dc.subject phenomenological theory en_US
dc.subject documentary film en_US
dc.subject street painter en_US
dc.title PHENOMENOLOGICAL THEORY IN DOCUMENTARY FILM AGOES NOOR en_US
dc.type Thesis en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search Repository


Advanced Search

Browse

My Account