| dc.contributor.author | Meishella, Sitanggang Astrid | |
| dc.date.accessioned | 2025-06-23T07:15:49Z | |
| dc.date.available | 2025-06-23T07:15:49Z | |
| dc.date.issued | 2024 | |
| dc.identifier.uri | http://repository.president.ac.id/xmlui/handle/123456789/13038 | |
| dc.description.abstract | Coffee was known in Indonesia throughout the 17th century. This beverage is consistently present in social encounters beyond personal ones. Coffee can start discussions between individuals or groups with other groups. Coffee coexisted alongside other organisms during its evolution; in traditional ceremonies, for instance, it was offered as a sacrifice to other creatures. The purpose of this study is to characterize coffee consumption as a kind of everyday communication. This study clarifies how four visual composition elements are applied in documentary television and highlights the challenges and opportunities that a camera person may encounter in pre-, production, and post-production. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | President University | en_US |
| dc.relation.ispartofseries | Communication;009202100013 | |
| dc.subject | Coffee | en_US |
| dc.subject | Visual Composition | en_US |
| dc.subject | Communication | en_US |
| dc.subject | Rule of Thirds | en_US |
| dc.subject | Centering | en_US |
| dc.subject | Lead Line | en_US |
| dc.subject | Color | en_US |
| dc.title | VISUAL COMPOSITION FOR SUPPORTING THE MESSAGE'S TRANSFORMATION IN DOCUMENTARY FILM "DARI KOPI KITA BERBICARA" | en_US |
| dc.type | Thesis | en_US |