President University Repository

APPLYING THE THREE – ACT STRUCTURE TO CONSTRUCT THE EMOTIONAL TRANSFORMATION OF THE MAIN CHARACTER IN THE SCREENPLAY “TINGGAL TAPI TAK PULANG”

Show simple item record

dc.contributor.author Novianty, Enggi
dc.date.accessioned 2026-02-13T02:27:37Z
dc.date.available 2026-02-13T02:27:37Z
dc.date.issued 2025
dc.identifier.uri http://repository.president.ac.id/xmlui/handle/123456789/13631
dc.description.abstract Writing the screenplay Tinggal Tapi Tak Pulang applies the Three-Act Structure to shape a narrative that emphasizes the emotional transformation of the main character. This structure is used to build a clear storyline consisting of setup, rising tension, and resolution, while also highlighting the psychological depth of the protagonist, Asih. Her character development portrays a journey from silence and endurance to resilience and courage, reflecting the emotional and social struggles of women within a patriarchal family dynamic. The Three-Act Structure serves as a framework to organize plot progression, manage dramatic tension, and create emotionally engaging scenes that resonate with audiences. The result is a screenplay that not only presents a compelling and cohesive story but also offers a critical commentary on gender and family dynamics. en_US
dc.language.iso en en_US
dc.publisher President University en_US
dc.relation.ispartofseries Communication;009202200051
dc.subject Three-Act Structure en_US
dc.subject emotional transformation en_US
dc.subject gender studies en_US
dc.title APPLYING THE THREE – ACT STRUCTURE TO CONSTRUCT THE EMOTIONAL TRANSFORMATION OF THE MAIN CHARACTER IN THE SCREENPLAY “TINGGAL TAPI TAK PULANG” en_US
dc.type Thesis en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search Repository


Advanced Search

Browse

My Account