Abstract:
Writing the screenplay Tinggal Tapi Tak Pulang applies the Three-Act Structure to shape
a narrative that emphasizes the emotional transformation of the main character. This
structure is used to build a clear storyline consisting of setup, rising tension, and
resolution, while also highlighting the psychological depth of the protagonist, Asih. Her
character development portrays a journey from silence and endurance to resilience and
courage, reflecting the emotional and social struggles of women within a patriarchal
family dynamic. The Three-Act Structure serves as a framework to organize plot
progression, manage dramatic tension, and create emotionally engaging scenes that
resonate with audiences. The result is a screenplay that not only presents a compelling
and cohesive story but also offers a critical commentary on gender and family dynamics.
